Le Ballet national du Canada

World Premiere by William Yong
UtopiVerse

Aperçu

Toronto-based choreographer William Yong creates his first commission for The National Ballet of Canada. Yong’s voice integrates his muti-disciplinary experience and will showcase the versatility of our artists. Founder of two companies that serve as incubators for his work, Zata Omm Dance Projects and W Zento Production, Yong has an international presence as a respected dancer, choreographer and director.

Things to Know

1. 1Yong integrates technology in innovative ways. Hailed as the "biggest staging sustainability experiment" (My Entertainment World) on Canadian stages, his 2015 piece vox:lumen partnered with the energy sector to invent several technology devices that captured and stored solar and kinetic energy that powered the the entire full-length dance production.
    
2. 2Yong has been profiled in several documentary shorts, including the 2015 film about the creation of vox:lumen for Harbourfront Centre’s World Stage, by filmmaker Timothy Garrett.
    
3. 3Yong is also an accomplished performer and has worked with such companies as Wayne McGregor’s Random Dance, Matthew Bourne’s Adventures in Motion Pictures, Toronto Dance Theatre, Peggy Baker Dance Projects and Côté Danse, run by Principal Dancer Guillaume Côté.
    
4. 4Yong has choreographed and performed in several music videos, including Rise Up Light by The Used, Modern Love by Mother Mother, Cold Blood by Apocalytica and Part of You by Adaline.
    
5. 5Yong holds a master’s degree with distinction from the University of Kent where he completed his dissertation on dance and film. With his production company W Zento, he created over 36 short films and won seven film awards including Madrid Arthouse Film Festival, Barcelona Indie Awards and Venice Short Film Awards.

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Le chorégraphe

William Yong is a Canadian choreographer, dancer, designer and director. Trained at Hong Kong Academy for Performing Arts and the London Contemporary Dance School, he works internationally to create technology-driven work for stage and film. Yong holds an M.A. from the University of Kent where he completed a dissertation on dance and film.

Critiques

“Through choreography I try to develop a profound relationship between dance and technology.” – William Yong in Now Magazine

“Yong embraces an experimental approach when creating works of his own... It shows Yong going where no Canadian choreographer before him has gone before.” – Critics at Large

“Yong, who is gifted at transforming the familiar into something fresh and provocative, laced with sharp irony and driven by a strong musical connection.” – Eye Magazine

“It is spell-binding, disturbing, fascinating, provocative, and profound theatre.” – Lighting and Sound America Magazine on Steer

Première nord-américaine
islands

Aperçu

The National Ballet of Canada is thrilled to present the North American premiere of islands, a sculptural duet for two women by Canada’s Emma Portner, a star on the international dance scene. islands was named a triumph when it premiered with Norwegian National Ballet in 2020, prompting an invitation to tour with the prestigious Dialogues festival alongside choreographic luminaries such as Crystal Pite and Jiří Kylián. An acclaimed work from a genre-breaking choreographer, islands is set to original music by Forest Swords.

Things to Know

1. 1Born in Ottawa, Ontario, Portner trained at The Ailey School in New York City. She was already attracting attention as a choreographer before she was 20 years old and was named American Dance Award’s “Young Choreographer of the Year” in 2013.
    
2. 2Portner is in high demand internationally. She creates for Netflix, late night television, professional dance and musicians, working on everything from Justin Bieber’s Purpose World Tour to music videos for Maggie Rogers.
    
3. 3Portner is the youngest woman in history to choreograph a musical on London’s West End: Bat Out of Hell: The Musical, based on the album by Meat Loaf. It premiered in 2017, when Portner was 23 years old.
    
4. 4islands is set to an original score by Forest Swords, the stage name of English musician Matthew Barnes. Barnes’ body of work includes the original dance score for Shrine, choreographed by Carmel Koster. The score is constructed entirely of sounds made by the body.
    
5. 5islands features lighting by Paul Vidar Saevarang and costumes by Martin Dauchez, who has been a dancer with Norwegian National Ballet since 2011.

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Le créateur

Ottawa-born Emma Portner is an exciting voice in choreography today. She trained at The Ailey School in New York City, spent summers at Canada’s National Ballet School and is now Artist-in-Residence with Benjamin Millepied’s Los Angeles Dance Project. Portner also produces, manages and directs her own short films and dance company.

Le compositeur

Forest Swords is the stage name for English musician Matthew Barnes, originally from Liverpool. His atmospheric music blends elements of hip-hop, dub, guitar loops and electronic sampling for a rhythmic, avant-garde sound. Barnes is also a graphic designer and producer and he frequently scores music for stage and film.

Critiques

“islands is nothing short of a sensational introduction to Portner’s language of movement... More Emma Portner, please!” – Dagens Nyheter

“In islands, Emma Portner invents her version of the pas de deux, with two conjoined twins joined together by the belt who discover each other and combine their bodies.” – Le Figaro

Première canadienne
Suite en Blanc

Aperçu

Serge Lifar created his showpiece Suite en Blanc, a full company work of technical purity, for Paris Opéra Ballet in 1943, saying “I am preoccupied with pure dance, independent of all other considerations.” Named for the dancers’ pristine white costumes and often compared to Harald Lander’s Études, Suite en Blanc pays homage to the classical form with dazzling choreography and unmistakable French flair. Set to the music of Édouard Lalo, Lifar’s ballet is an exciting addition to The National Ballet of Canada’s repertoire of classical works.

Things to Know

1. 1Lifar once described Suite en Blanc as “a succession of authentic little technical etudes, choreographic miniatures independent of each other but related to each other by the same neo-classical style.”
    
2. 2Suite en Blanc is set to musical excerpts from Lucien Petipa’s ballet Namouna, composed by Édouard Lalo. Lifar abandoned the plot from Namouna but retained the names of the individual dances.
    
3. 3The ballet gets its name from the dancers’ pristine white costumes. When the male dancers wore black costumes in subsequent stagings, the named changed to Noir et Blanc.
    
4. 4Variations from Suite en Blanc are often performed as standalone pieces in competitions and galas. One of the most famous is a solo, La Cigarette.
    
5. 5Serge Lifar was an esteemed dancer of the 20th century notably having danced the role of Apollo in the world premiere of George Balanchine’s Apollon Musagète in 1928.

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Le chorégraphe

Born in Ukraine, Serge Lifar was one of the great male dancers of the 20th century. He trained with Bronislava Nijinska and Enrico Cecchetti and became a star performer with Serge Diaghilev’s Ballet Russes and Paris Opera Ballet. He was the long serving director of Paris Opéra Ballet, where he staged and choreographed a large body of work.

Le compositeur

Édouard Lalo was a French composer and violinist of the 19th century notable for his chamber music and orchestral works. His oeuvre includes the celebrated Symphonie espagnole for violin and orchestra and his ballet Namouna for Lucien Petipa, which premiered with Paris Opéra Ballet in 1882.

Critiques

“Suite en Blanc is a jewel in the classical repertoire. It glows like a pearl in its unadorned technical precision, while exuding that elusive essence of Parisian chic.” – Seeing Dance

“Authentic, vintage neoclassicism” – Los Angeles Times

“Serge Lifar's ballet is the most supremely elegant of crowd-pleasers.” – The Guardian

Crédits

UtopiVerse

Chorégraphie :
William Yong

Musique :
Benjamin Britten

Conception des costumes :
William Yong

Conception de l’éclairage :
Noah Feaver

Conception de la projection :
Thomas Payette

Première mondiale : The National Ballet of Canada, Four Seasons Centre for the Performing Arts, Toronto, 20 mars, 2024

Réalisé et commandé par Le Ballet national du Canada.

Lead philanthropic support for UtopiVerse is provided by The Producers’ Circle.

The Producers’ Circle (2024): Gail & Mark Appel, John & Claudine Bailey, Inger Bartlett & Marshal Stearns, Laura Dinner & Richard Rooney, Gail Drummond & Bob Dorrance, Ira Gluskin & Maxine Granovsky Gluskin, The William & Nona Heaslip Foundation, Anna McCowan-Johnson & Donald K. Johnson, O.C., Judy Korthals & Peter Irwin, Mona & Harvey Levenstein, Jerry Lozinski, O.C. & Joan Lozinski, O.C., The Honourable Margaret Norrie McCain, C.C., Julie Medland, Sandra Pitblado, C.M. & Jim Pitblado, C.M., The Harry & Lillian Seymour Family Foundation, The Jack Weinbaum Family Foundation and Alexander Younger & Sarah Richardson.

islands

Chorégraphie :
Emma Portner

Mise en scène par :
Samantha Lynch and Darlyn Perez

Musique :
Brambles, Guillaume Ferran, Forest Swords / Matthew Barnes, Lily Konigsberg and Bing & Ruth

Conception des costumes :
Martin Dauchez

Conception de l’éclairage :
Paul Vidar Sævarang

Première mondiale : The Norwegian Opera & Ballet, Oslo, Norway, 7 mars, 2020

Première du Ballet national du Canada : Four Seasons Centre for the Performing Arts, Toronto, 20 mars, 2024

Suite en Blanc

Mise en scène par :
Charles Jude and Stephanie Roublot Jude

Chorégraphie :
Serge Lifar

Musique :
Édouard Lalo, Suite from Namouna

Première mondiale : Paris Opéra Ballet, Zürich, Switzerland, 19 juin, 1943

Première du Ballet national du Canada : Four Seasons Centre for the Performing Arts, Toronto, 20 mars, 2024