Le Ballet national du Canada

World Premiere by Helen Pickett
Emma Bovary

Aperçu

The world premiere of Emma Bovary marks an exciting first partnership between The National Ballet of Canada and award-winning choreographer, director and dancer, Helen Pickett. Pickett combines a striking physical vocabulary with sensitivity to the human condition, and she is breaking new ground in narrative ballet. Emma Bovary is a psychological exploration of the lead character from Gustave Flaubert’s 19th-century novel, Madame Bovary, his influential depiction of a young woman disillusioned by life.

Things to Know

1. 1This world premiere follows the success of Pickett’s full-length work for Scottish Ballet The Crucible, based on Arthur Miller’s play. The Crucible won a Critics’ Circle Theatre Award and the Herald Angel Award for Choreography in the UK in 2019. For Emma Bovary, Pickett partners with award-winning opera and theatre director James Bonas, as co-director and co-treatment writer. They first worked together on The Crucible and this marks their third collaboration.
    
2. 2Emma Bovary does not tell the story of Flaubert’s novel. Rather, it dives into the complex psychology of the title character, a young woman whose attachment to romantic ideals disconnects her from reality, leading to her demise.
    
3. 3Pickett has commissioned an original score from Peter Salem, whose work includes award-winning music for the British television series, Call the Midwife. Salem also composed the music for Pickett’s ballet The Crucible.
    
4. 4The creative team includes Canadians Bonnie Beecher for lighting design and Michael Gianfrancesco for sets and costumes. They are joined by production designer Anouar Brissel and animator Grégoire Pont, who studied Norman McLaren’s techniques of animation dynamics.
    
5. 5This commission is an extension of Hope Muir’s creative relationship with Pickett, having worked on no less than five productions together in Scotland and the US.

Watch and Explore

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Le créateur

Born in California, Helen Pickett spent over a decade at Frankfurt Ballet under the direction of William Forsythe and is trained in method acting, somatic techniques and film. Pickett has worked as an actress with the Wooster Group in New York City and created more than 60 works internationally, including her award-winning ballets The Crucible, Camino Real and The Exiled. Pickett was Resident Choreographer of Atlanta Ballet from 2012 to 2017, received her MFA from Hollins University and was awarded an Honorary Doctorate from University of North Carolina School of the Arts. Her recent commissions internationally include American Ballet Theatre, Het Nationale Ballet and Boston Ballet.

Le compositeur

Peter Salem is in high demand as a composer for contemporary ballet, film and television. He has collaborated previously with choreographer Helen Pickett on The Crucible and Camino Real and he has worked with such companies as Hong Kong National Ballet and English National Ballet. Salem composed the award-winning music for the popular BBC television programs Call the Midwife, Cider with Rosie and Five Daughters.

Critiques

“Pickett is a contemporary ballet choreographer of substance, with deep convictions, an effervescent sense of humour and a wide-ranging intellect.” – Dance International

“Helen Pickett seals her reputation as a masterful creator of narrative ballet” – The Review Hub

“Choreographer Helen Pickett approaches her art in an intellectual way.” – WBUR, Boston 

Première canadienne
Passion

Aperçu

After 25 years with The National Ballet of Canada, Piotr Stanczyk will retire from his role as Principal Dancer. In honour of his illustrious career, Artistic Director Hope Muir has acquired Passion by James Kudelka, a formative figure from Stanczyk’s career, for his farewell performance. Created for Houston Ballet in 2013, Passion is a love story whose meticulous structure mirrors the music, the first movement of Ludwig van Beethoven’s Concerto for Piano in D, Op. 61a. Two couples – one classical, the other contemporary – weave within the Corps de Ballet like musical themes, evoking complex relationships of passion.

Things to Know

1. 1Kudelka describes Passion as having three parts: two couples and the Corps de Ballet. He developed each part in a different studio to be a complete idea, saying: “It was very important, almost necessary, that each group not know what each other group was doing, so that everyone felt they owned the floor.”
    
2. 2The ballet’s three parts are stylistically unique and align with the structure and mood of Beethoven’s music. One couple is contemporary and the other is classical, with the former exhibiting raw desire and the other more reserved.
    
3. 3The contemporary couple closely follows the piano and their choreography is full of tension and passion. At times they appear to stalk one another around the stage.
    
4. 4Principal Dancer Piotr Stanczyk will dance the contemporary male role, which will showcase his charisma, technique and impeccable partnering as one of the company’s finest dramatic artists.
    
5. 5Kudelka has described the Corps de Ballet as the “body” of Passion, saying “they are present as the orchestra is omnipresent.” Their romantic tutus and classical choreography add a luscious, dream-like quality to the ballet.

Watch and Explore

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Le chorégraphe

James Kudelka a été chorégraphe résident du Ballet national du Canada après avoir été son directeur artistique pendant neuf ans. He creates works of incredible musicality and vision for companies internationally, from original full-length ballets to short contemporary works and remounted classics. Kudelka was Resident Choreographer of Coleman Lemieux & Compagnie from 2008 to 2020.

Le compositeur

German composer and pianist Ludwig van Beethoven is one of the most influential figures in the history of music, bridging the Classical and Romantic eras with his unforgettable works. He is renowned for his piano sonatas, string quartets and symphonies, with his ground-breaking Eroica Symphony considered a defining work.

Critiques

“Passion is a study in contrast – classic versus modern, romantic fantasy versus lusty reality.” – Houston Press 

Crédits

Emma Bovary

Chorégraphie :
Helen Pickett

Directors:
James Bonas & Helen Pickett

Treatment by:
Helen Pickett & James Bonas

Music and Sound:
Peter Salem

Conception de la scène et des costumes :
Michael Gianfrancesco

Conception de l’éclairage :
Bonnie Beecher

Animator:
Grégoire Pont

Conception de la projection :
Anouar Brissel

Première mondiale : The National Ballet of Canada, Four Seasons Centre for the Performing Arts, Toronto, 10 novembre, 2023

Réalisé et commandé par Le Ballet national du Canada.

Lead philanthropic support for Emma Bovary is provided by The Anna McCowan-Johnson New Creations Fund and The Producers’ Circle and with generous underwriting by the Sabourin Family Foundation.

The Producers’ Circle (2023): Gail & Mark Appel, John & Claudine Bailey, Laura Dinner & Richard Rooney, Gail Drummond & Bob Dorrance, Ira Gluskin & Maxine Granovsky Gluskin, The William & Nona Heaslip Foundation, Anna McCowan-Johnson & Donald K. Johnson, O.C., Judy Korthals & Peter Irwin, Mona & Harvey Levenstein, Jerry Lozinski, O.C. & Joan Lozinski, O.C., The Honourable Margaret Norrie McCain, C.C., Julie Medland, Sandra Pitblado, C.M. & Jim Pitblado, C.M., The Harry & Lillian Seymour Family Foundation, The Jack Weinbaum Family Foundation and Alexander Younger & Sarah Richardson.

Passion

Chorégraphie :
James Kudelka

Mise en scène par :
Ian Casady and Amy Fote

Musique :
Ludwig van Beethoven, Concerto for Piano in D, Op. 61A, First Movement

Conception des costumes :
Denis Lavoie

Conception de l’éclairage :
Michael Mazzola

Première mondiale : Houston Ballet, Houston, Texas, 5 septembre, 2013

Première du Ballet national du Canada : Four Seasons Centre for the Performing Arts, Toronto, 10 novembre, 2023

Passion is generously supported by The Gail Hutchison Fund.

The National Ballet also acknowledges support provided by Anne-Marie Canning.