Chelsy Meiss est née à Melbourne, en Australie, et a suivi sa formation à la Karen Curlis School of Dance, à la Thelma Williams School of Dance, au Victorian College of The Arts et à l’Australian Ballet School à Melbourne. She danced with San Diego Ballet before joining The National Ballet of Canada as a member of the Corps de Ballet in 2008 and was promoted to First Soloist in 2015.
Most recently, Chelsy danced in the world premiere of Wayne McGregor’s MADDADDAM and the Canadian premiere of Alonzo King’s The Collective Agreement. Chelsy has danced roles such as The Mad Hatter in Alice’s Adventures in Wonderland becoming the first female dancer to perform the role, Valencienne in The Merry Widow, Juliet in Romeo and Juliet, the Snow Queen in The Nutcracker, Queen of Hearts in Alice’s Adventures in Wonderland, Bronislava in Nijinsky, Dolly in Anna Karenina, Stella in A Streetcar Named Desire, Spanish Soloist in Swan Lake, Petal and Twig in Cinderella, Spring in The Four Seasons and the female lead in Spectre de la Rose and Paz de la Jolla. Her repertoire also includes The Sleeping Beauty, Giselle, Onegin, The Winter’s Tale, Don Quixote, La Fille mal gardée, Manon, Pinocchio, La Sylphide, The Concert, The Four Temperaments, The Dream, Paquita, The Seagull, Carmen, Symphony in C, Serenade, Opus 19/The Dreamer, Allegro Brillante, The Second Detail, The Vertiginous Thrill of Exactitude, Approximate Sonata 2016, Emergence, Angels’ Altas, Chroma, Genus, In The Upper Room, West Side Story Suite, Russian Seasons, Carousel (A Dance), Elite Syncopations, Concerto, Cacti, Being and Nothingness, Skyward, Crepuscular and Night.
En 2016, Chelsy a reçu le prix David Tory et a reçu le prix d’excellence des mécènes du Ballet national en 2009.
